Recently I’ve been listening to the SpotlightUK series of podcasts. They feature short interviews with casting directors, agents and other industry professionals about the business, mostly centered around the London scene. While most of the information is really excellent for those just getting out of drama school, there are some real reinforcements there in terms of keeping your head on straight in a world that doesn’t seem to have any sense to it.
I’ve mostly been taking away the sense of what a marathon it is. Going in for an audition, it is about getting that specific job, sure. But more than that, it is about building a relationship with the casting director. By showing up prepared, with strong choices, strong opinions, being on time, courteous to EVERYONE in the office no matter who they are or how they treat you, you send a clear message to the casting office. The message is: „I am not an asshole. I will not embarrass you. I will not be a pain in the ass to work with. You can call me for role after role after role.“ By doing that, you are playing the long game. Whether you get any particular role or not, who can say. There are so many factors as to why a certain actor gets a certain role (many if not not most of which are out of their control) that it’s almost pointless to stress over not getting a role. The important aspect of the long game is that the casting director will want to call you back and keep searching for the role that is right for you. They will be your ally in this war instead of your enemy. And believe me, you don’t need more reasons to fail, especially when the casting office is so influential in being able to get the job in the first place!
Play the long game. Build the relationship. As they say in the podcast over and over: You are not just auditioning for this particular job. You’re auditioning for your whole career with this casting office. Don’t mess it up!
We will be having a new term of the Meisner Acting classes starting January 7th, 2013. The classes, again, will focus on working through the Meisner technique of repetition, focusing on behavior, improvisations and eventually scenework.
Returning students will have the option of attending the scene workshops which are held roughly once per month.
The modules (extra, non-Meisner classes held during the term) for winter will be on-camera acting and monologues.
For more information or to sign up for the class, please email email@example.com!
We have been hard at work on the new look to the Acting.cz web pages. What do you think? The content of the classes hasn’t changed that much, but we are working on a new and exciting curriculum for next September. And if you’re interested in taking the Intensive Summer Course, then you should sign up now!
For the sake of viewer convenience, the content is shown below in the alternative language. You may click the link to switch the active language.
Here’s what some students had to say about the recent 2-day on-camera workshop from Nancy Bishop:
The workshop was amazing and working with Nancy is so much fun. She’s smart, easy-going, and mostly knows the business and what the directors want. I learned a lot from her and she made me believe that that I really have what it takes to audition, play roles in front of the camera and show the casters that I can do it. And if I don’t get a role, I still know that someone might be interested someday 🙂
Her positive attitude gave me the courage to go and audition today in Prague Film School in front of the camera and many people. I did so and I wasn’t expecting anything. I went there just to enjoy the casting and I did enjoy every bit of it though I was a little bit nervous 🙂
On camera workshop with Nancy was fun and mind-opening, especially for a beginner actor like me. I have a different approach now on how to analyze scenes before going to auditions, also understood how important it is to ask the â€œW“ questions to really understand whatâ€™s going on in the text. Scanning through her book â€˜Secrets from the Casting Couchâ€™ between the 2 workshop days was also supporting and helped me to get the most of it in such a short time. The book is a must-read for every actor who wants to learn how to act effectively in front of the camera as well as learning how to self-promote yourself as an actor. I would love to have another opportunity to work with Nancy in the future, which would be a great way of honing my acting skills.
The workshop with Nancy was a great experience because she guided us through all the stages of casting, she showed us individually our pitfalls and she provided valuable feedback on each and everyones performance !
With the book as reference and the personal training from Nancy I think each actor improved his/ her changes hugely to being succesfully cast !
Nancy Bishop’s Workshop was amazing and I had a great time learning from her! It was really interesting to work with talented international students on different kinds of acting exercises and than watch our performances on TV. We could not only see what we’d done, but we also could hear a comments and advices about our work from the view of the great casting director. I learned a lot about actor’s archetypes, actor’s little acting secrets, and how to make a good impression while auditioning. All the information I learnt at Nancy’s workshop is very important for every actor who wants to know more about the craft and improve his/her skills at auditioning.
I found it out very helpful, a lot of things I used in my monday shooting immedietly and it worked just great. I can recommend it to every actor, who wants to go/be in fron of the camera one day, but I think it can be useful for theatre actors also.
I am very excited about the workshop with Nancy. It was GREAT, AWESOME and threre was very pleasant atmosphere. I am really interested in next workshop with Nancy. It is amazing experience.
It definitely helps you in audition. You get bigger confident if you stand up before a camera next time. Thank you for this!!! I had great time.
Presented in cooperation with the Prague Playhouse and led by Guy Roberts, Artistic Director of the Prague Shakespeare Festival and director of the PSF productions of King Lear and As You Like It, this is a performance focused workshop exploring the unique demands of taking the next step in Shakespearean character creation–out of the classroom, into the rehearsal hall and onto the performance stage.
Shakespeare’s characters express themselves moment to moment through language, not action, to convey thought. The workshop will explore the link between the structure of the language and the thought the structure expresses as the principal means of characterization. Once the actor fully understands and commands the tools of Shakespeare’s language the possibilities are limitless. The aim is to empower actors to make Shakespeare’s language roll „trippingly“ from their tongues.
Space in the workshop is limited. The workshop will be in English although care will be taken to ensure that non-native English speakers are welcome as well.
Friday June 3rd – 18:00-22:00
Saturday June 4th – 10:00-14:00
Sunday June 5th – 10:00-14:00
Cost: 3.000cz total or 1.000cz Daily
For more info and to register for Performing Shakespeare email: