It’s easy, especially in a market like Prague, to get complacent about auditions. There isn’t a ton of local competition, a lot of the competition there is is based on look rather than experience and talent. Sometimes it is enough to just show up and go through the motions.

But if you do more work going into your auditions, you will have a much better chance of booking the job you’re going for AND building a great reputation as a prepared, professional actor with the casting director, producers and directors you read for.

Here are some things that you should have going into an audition:

• Know the text. This is a huge mistake that people make going into an audition. You want to know the text as well as you possibly can. Knowing the words you have to say gives you an incredible amount of flexibility and security in how the audition will go.
• Know the stakes. Stakes are what is important in the scene. Even if you only have one line, what are the stakes? What are the consequences of getting or not getting what you want in the scene. Authors don’t write scenes about everyday nothing situations. Scenes are there to put the characters in them through something. So don’t assume that the answer why you say something or do something in the scene is “just because”. Know why you are there! If your part in the scene is very simple, maybe the stakes won’t need to be played (generally they shouldn’t be anyway), but doing the work to know what is important in the scene is always time well spent.
• Know the given circumstances. These will inform the stakes. Generally the given circumstances are Who, Where, What, When types of questions: Who is in the scene and what are their relationships? Where and When (both time of day, time period AND when in the script/story ie. how far into the story) does the scene take place? What is the physical behavior in the scene (what are the characters physically doing)? What happened just prior to this scene in the story (often this is not the previous scene in the script, but something inferred by the dialogue)? Answering as many of these types of questions will not only allow you to know more what the stakes are, but to know what the tone of the scene might be.
• Rehearse! Find a friend and go through the scene beforehand. Try to remain flexible in how you do the scene as the casting director may give you a note that is different than how you rehearse. But the knowledge that you have gone through the scene several times before you get in the casting room, will be very valuable!
• Let go! Once you’ve done all this work, let go of all of it. Don’t focus on any of the work when you are in the audition. Just go through the scene and listen to any instructions the casting director might give you. Trust that you have done the work and that the most meaningful parts of it have stayed with you. Try to listen and respond truthfully to the person who is reading opposite you.

Doing all of this work doesn’t guarantee you will get any role. But it will make casting directors sit up and take notice of you. Especially in a market where most people are not doing that much work on their auditions. Remember: In the land of the blind, the one eyed man is king. Or something to that effect.